Ethereality

Sometimes there are those wonderful poems that take us away from the reality and darkness of this world and bind us to beauty and peace.  I feel like this poem is one of them.  I know it is a little long, but it is worth the read.

Sleeping Beauty, by Maxfield Parrish


Alfred, Lord Tennyson


THE DAY-DREAM

Prologue

O Lady Flora, let me speak:

A pleasant hour has passed away

While, dreaming on your damask cheek,

The dewy sister-eyelids lay.

As by the lattice you reclined,

I went thro’ many wayward moods

To see you dreaming—and, behind,

A summer crisp with shining woods.

And I too dream’d, until at last

Across my fancy, brooding warm,

The reflex of a legend past,

And loosely settled into form.

And would you have the thought I had,

And see the vision that I saw,

Then take the broidery-frame and add

A crimson to the quaint Macaw,

And I will tell it. Turn your face,

Nor look with that too-earnest eye—

The rhymes are dazzled from their place

And order’d words asunder fly.

 

 

The Sleeping Palace

I.

The varying year with blade and sheaf

Clothes and reclothes the happy plains,

Here rests the sap within the leaf,

Here stays the blood along the veins.

Faint shadows, vapours lightly curl’d,

Faint murmurs from the meadows come,

Like hints and echoes of the world

To spirits folded in the womb.

 

II.

Soft lustre bathes the range of urns

On every slanting terrace-lawn.

The fountain to his place returns

Deep in the garden lake withdrawn.

Here droops the banner on the tower,

On the hall-heaths the festal fires,

The peacock in his laurel bower,

The parrot in his gilded wires.

 

III.

Roof-haunting martins warm their eggs:

In these, in those the life is stay’d.

The mantles from the golden pegs

Droop sleepily: no sound is made,

Not even of a gnat that sings.

More like a pictures seemeth all

Than those old portraits of old kings,

That watch the sleepers from the wall.

 

IV.

Here sits the Butler with a flask

Between his knees, half-drain’d; and there

The wrinkled steward at his task,

The maid-of-honour blooming fair;

The page has caught her hand in his:

Her lips are sever’d as to speak:

His own are pouted to a kiss:

THe blush is fix’d upon her cheek.

 

V.

Till all the hundred summers pass,

The beams, that thro’ the Oriel shine,

Make prisms in every carven glass,

And beaker brimm’d with noble wine.

Each baron at the banquet sleeps,

Grave faces gather’d in a ring.

His state the king reposing keeps.

He must have been a jovial king.

 

VI.

All round a hedge upshoots, and shows

At distance like a little wood;

Thorns ivies, woodbine, mistletoes,

And grapes with bunches red as blood;

All creeping plants, a wall of green

Close-matted, bur and brake and briar,

And glimpsing over these, just seen,

High up, the topmost palace spire.

 

VII.

When will the hundred summers die,

And thought and time be born again,

And newer knowledge, drawing nigh,

Bring truth that sways the soul of men?

Here all things in their place remain,

As all were order’d, ages since.

Com, Care and Pleasure, Hope and Pain,

And bring the fated fairy Prince.

 

The Sleeping Beauty

I.

Year after year unto her feet,

She lying on her couch alone,

Across the purple coverlet,

The maiden’s jet-black hair has grown,

On either side her tranced form

Forth streaming from a braid of pearl:

The slumbrous light is rich and warm

And moves not on the rounded curl.

 

II.

The silk star-broider’d coverlid

Unto her limbs itself doth mould

Languidly ever; and, amid

Her full black ringlets downward roll’d,

Glows forth each softly-shadow’d arm

With bracelets of the diamond bright:

Her constant beauty doth inform

Stillness with love, and day with light.

 

III.

She sleeps: her breathings are not heard

In palace chambers far apart.

The fragrant tresses are not stirr’d

That lie upon her charmed heart.

She sleeps: on either hand upswells

The gold-fringed pillow lightly prest:

She sleeps, nor dreams, but ever dwells

A perfect form in perfect rest.

 

The Arrival

I.

All precious things, discover’d late,

To those that seek them issue foth;

For love in sequel works with fate,

And draws the veil from hidden worth.

He travels far from other skies—

His mantle glitters on the rocks—

A fairy Prince, with joyful eyes,

And lighter-footed than the fox.

 

II.

The bodies and the bones of those

That strove in other days to pass,

Are wither’d in the thorny close,

Or scatter’d blanching on the grass.

He gazes on the silent dead:

‘They perish’d in their daring deeds.’

This proverb flashes thro’ his head,

‘The many fail: the one succeeds.’

 

III.

He comes, scarce knowing what he seeks:

He breaks the hedge: he enters there:

The colour flies into his cheeks:

He trusts to light on something fair;

For all his life the charm did talk

About his path, and hover near

With words of promise in his walk,

And whisper’d voices at his ear.

 

IV.

More close and close his footsteps wind:

The Magic Music in his heart

Beats quick and quicker, till he find

The quiet chamber far apart.

His spirit flutters like a lark,

He stoops—to kiss her—on his knee.

‘Love, if thy tresses be so dark,

How dark those hidden eyes must be!’

 

The Rivival

I.

A touch, a kiss! the charm was snapt.

There rose a noise of striking clocks,

And feet that ran, and doors that clapt,

And barking dogs, and crowing cocks;

A fuller light illumined all,

A breeze thro’ all the garden swept,

A sudden hubbub shook the hall,

And sixty feet the fountain leapt.

 

II.

The hedge broke in, the banner blew,

The butler drank, the steward scrawl’d,

The fire shot up, the martin flew,

The parrot scream’d, the peacock squall’d,

The maid and page renew’d their strife,

The palace ban’d, and buzz’d and clackt,

And all the long-pent stream of life

Dash’d downward in a cataract.

 

III.

And last with these the king awoke,

And in his chair himself uprear’d,

ANd yawn’d, and rubb’d his face, and spok,

‘By holy rood, a royal beard!

How say you? we have slept, my lords.

My beard has grown into my lap.’

The barons swore, with many words,

‘Twas but an after-dinner’s nap.

 

IV.

‘Pardy,’ return’d the king, ‘but still

My joints are somewhat stiff or so.

My lord, and shall we pass the bill

I mention’d half an hour ago?’

The chancellor, sedate and vain,

In courteous words return’d reply:

But dallied with his golden chain,

And, smiling, put the question by.

 

The Departure

I.

And on her lover’s arm she leant,

And round her waist she felt it fold,

And far across the hills they went

In that new world which is the old:

Across the hills, and far away

Beyond their utmost purple rim,

And deep into the dying day

The happy princess follow’d him.

 

II.

‘I’d sleep another hundred years,

O love, for such another kiss,’

‘O wake for ever, love,’ she hears,

‘O love, ’twas such as this and this.’

And o’er them many a sliding star,

And many a merry wind was borne,

And, stream’d thro’ many a golden bar,

The twilight melted into morn.

 

III.

‘O eyes long laid in happy sleep!’

‘O happy sleep, that lightly fled!’

‘O happy kiss, that woke thy sleep!’

‘O love, thy kiss would wake the dead!’

And o’er them many a flowing range

Of vapour buoy’d the crescent-bark,

And, rapt, thro’ many a rosy change,

The twilight died into the dark.

 

IV.

‘And hundred summers! can it be?

And whither goest thou, tell me where?’

‘O seek my father’s court with me,

For there are greater wonders there.’

And o’er the hills, and fary away

Beyond their utmost purple rim,

Beyond the night, across the day,

Thro’ all the world she follow’d him.

 

Moral

I.

So, Lady Flora, take my lay,

And if you find no moral there,

Go look in any glass and say,

What moral is in being fair.

Oh, to what uses shall we put

The wildweed-flower that simply blows?

And is there any moral shut

Within the bosom of the rose?

 

II.

But any man that walks the mead,

In bud or blade, or bloom, may find,

According as his humours lead,

A meaning suited to his mind.

And liberal applications lie

In Art like Nature, dearest friend;

So ’twere to cramp its use, if I

Should hook it to some useful end.

 

L’envoi

I.

you shake your head. A random string

Your finer female sense offends.

Well—were it not a pleasant thing

To fall asleep with all one’s friends;

To pass with all our social ties

To silence from the paths of men;

And every hundred years to rise

And learn the world, and sleep again;

To sleep thro’ terms of mighty wars,

And wake on science grown to more,

On secrets of the brain, the stars,

As wild as aught of fairy lore;

And all that else the years will show,

The Poet-forms of stronger hours,

The vast Republics that may grow,

The Federations and the Powers;

Titanic forces taking birth

In divers seasons, divers climes;

For we are Ancients of the earth,

And in the morning of the times.

 

II.

So sleeping, so aroused from sleep

Thro’ sunny decades new and strange,

Or gay quinquenniads would we reap

The flower and quintessence of change.

 

III.

Ah, yet would I—and would I might!

So much your eyes my fancy take–

Be still the first to leap to light

That I might kiss those eyes awake!

For, am I right, or am I wrong,

To choose your own you did not care;

You’d have my moral from the song,

And I will take my pleasure there:

And, am I right or am I wrong,

My fancy, ranging thro’ and thro’,

To search a meaning for the song,

Perforce will still revert to you;

Nor finds a closer truth than this

All-graceful head, so richly curl’d,

ANd evermore a costly kiss

The prelude to some brighter world.

 

IV.

For since the time when Adam first

Embraced his Eve in happy hour,

And every bird of Eden burst

In carol, every bud to flower,

What eyes, like thine, have waken’d hopes,

What lips, like thine, so sweetly join’d?

Where on the double rosebud droops

The fulness of the pensive mind;

Which all too dearly self-involved,

Yet sleeps a dreamless sleep to me;

A sleep by kisses undissolved,

That lets thee neither hear nor see:

But break it. IN the name of wife,

And in the rights that name may give,

Are clasp’d the moral of they life,

And that for which I care to live.

 

Epilogue

So, Lady Flora, take my lay,

And, if you find a meaning there,

O whisper to your glass, and say,

‘What wonder, if he thinks me fair?’

What wonder I was all unwise,

To shape the song for your delight

Like long tail’d birds of Paradise

That float thro’ Heaven, and cannot light?

Or old-world trains, upheld at court

By Cupid-boys of blooming hue—

But take it—earnest wed with sport,

And either sacred unto you.

 

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